Saul Levine Movies

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement...

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

"Seeing at a distance through the burning silk may the violence grow between their eyes in heaven." – Erik Kiviat

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

Work is part of a series of works by Pelle Lowe and Saul Levine in different media that reflect on Manet's Olympia and its critical reception.

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

"Wild Blue Yonder" was the song of the army corps in which Saul Levine's uncle and father served when he was born in 1943.

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Director of the Film-makers Coop, M.M. Serra, recollects her morning on September 11, 2001. The Coop is a few blocks from the New York Worlds Trade...

Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a...

DAILY CAMERA is on one level a flickering, ecstatic, and lyrical portrait of Boulder, Colorado. On a deeper level, it is yet another exquisite...